With their breakthrough hit Into The Valley in 1979, Dunfermline, Scotlands premier export Skids quickly rose to become one of the most respected and popular bands to emerge from the UK punk and new wave era. Founding members Richard Jobson (vocals) and Stuart Adamson (guitars) were a dynamic combination up front (Adamson went on to even greater commercial success when he later founded Big Country) while the bands tight, taut sound was grounded by the William Simpson on bass and first Tom Kellichan and later Mike Baillie on drums.

Into The Valley had actually come on the heels of a trio of cult-appeal early singles Charles, Sweet Suburbia, and The Saints Are Coming, all considered classics today, while its success saw chart follow ups with the likes of Animation, Masquerade, Working For The Yankee Dollar, Circus Games and Goodbye Civilian. Always considered up there with the greatest among their peers The Jam, Siouxsie And The Banshees, and The Stranglers, for example both singles and albums showcased an intelligence and literate sensibility as well as musical innovation and awesome power. On stage they were simply dynamite.

Unusually, until now, Skids have never seen their glorious 1978-1981 run of immaculate singles brought together in a vinyl collection. The 13-track all-killer Land, Sea & Sky: Skids Singles 1978-1981, presented on Satire Blue vinyl, finally rectifies that situation. It includes the singles A-sides and comes with illustrated inner bag in a new design by Phillip Marshall and an original cover shot by Virginia Turbett.

The 5-disc Boy, Man & Soldier: Skids 1978 - 1981 collection brings together the vast majority of the Skids recorded output from the glory years 1978 1981. It includes the albums Scared To Dance, both the original mix of Days In Europa and its 1980 remix version, The Absolute Game and Joy plus all of the bands non-album singles, in their edited single forms, along with B-sides and single and 12 edits.

Beautifully presented in 7X7 Super Deluxe packaging, Boy, Man and Soldier comes fully illustrated with original sleeve art from the era married to a new design by Phillip Marshall and original cover shot by Virginia Turbett.