Italian singer-songwriter Marta Del Grandi returns with Dream Life, an album that bustles in a field of dreams, a multi-dimensional panoramic snapshot punctuated with serene disillusionment, that transcends musical boundaries as personal hopes and aspirations are cast against the vastness of the stars and beyond.

The record opens with Antarctica, addressing the worlds ethical dilemma and shaking us out of our comfort zone with a riff reminiscent of Talking Heads in their prime, infused with Laurie Anderson-like abstract phrasing. While Neon Lights underlines the sentiment but tackles it on a more personal level, its fuzzy guitars and roaming bass offering a harsher slice of rebellious self-exploration set in a symphonic swirl of sound.

My previous album Selva had a poetic and bucolic nature - in my head I can picture each song as an oil painting - Dream Life has a more contemporary approach, with lyrics touching political and social issues, a more explicit personal storytelling and a more defined pop sound.
Its more like a photobook, more defined and detailed.
- Marta Del Grandi

Further into Dream Life, Alpha Centauri is a haunting introspective slice of pop magic that allows Martas gorgeous vocal to prowl in nostalgia for teenage times, rediscovering her inner child while a distant tuba carries a counter melody.
The title track examines the quantum leap between reality and our dreams and ambitions, a counter point to Shoe Shaped Cloud and its brooding study of a relationship gone awry thats propelled by an aching vocal which recalls Radiohead at their most brittle.
The album reflects a growing awareness that we cannot fully control the future or the outcome of our plans.
This thread weaves throughout the record, a journey that is poetic, ironic, and deeply grounded in the present.