Alvvays celebrate the 10th anniversary of their self-titled album with a remastered anniversary edition that includes bonus track Underneath Us and a fold-out poster by Chad Van Gaalen. The news follows a triumphant return to the UK for Alvvays last month for their biggest headline tour to date, and a packed out set at Glastonbury Festival, where the Guardian praised them as one of the finest bands of recent years and Time Out commended their pure serotonin-unleashing indie. In February 2024, just shy of the tenth anniversary of Alvvays self-titled debut, its second song and single, Archie, Marry Me, reached a rarified threshold for our streaming ageone-hundred million listens through a single platform. For the worlds biggest pop stars thats an average achievement, but for an upstart indie rock band then writing in a backroad farmhouse on a Canadian island, it represented a staggering proof of connection and widespread resonance. Makes sense, after all: Archie, Marry Me is a softly stinging, pointedly funny portrait of a common end-of-youth predicamentto wed or not to wed, to involve the state and the possibility of financial ruin when youre already saddled with student loans and just trying to survive. Instantly relatable, it is an anthem about prescribed social expectations and delighting, however noncommittally, in outcast status. Now remastered and reissued with deep cut Underneath Us to mark a glorious decade of deadpan jangle, Alvvays feels that way from end to endliterally, from the opening stalking-you-with-love anthem Adult Diversion to the ennui escapism of sci-fi closer Red Planet. In a little more than 30 minutes, Alvvays give us a song about loving someone to actual death (Next of Kin), how keeping secrets will destroy what you think you want (The Agency Group), and another incisive song about the societal demands of love and marriage (Atop a Cake). When Molly Rankin, Alec OHanley, Kerri MacLellan, and Brian Murphy cut these songs with Chad VanGaalen in 2013, long before they had a record deal, they were, in fact, young adults trying to figure out these encroaching exigencies for themselves. Again, these problems dont age; some of us just happen to be lucky enough to age out of them. Little of this would matter if the songs themselves didnt stick, if the melodies werent as timeless as the topics. But the tension between Alvvays shimmer and snap and Rankins knowingly droll delivery connects these numbers to a brilliant and deep rock continuum, from the glories of C86 and the triumphs of Athens in the 80s to Celtic folks own magnetic candour. Each of these songs lands several hooks apiece: the sparkling drum-machine drift of Dives, the noise-caked sway of The Agency Group, and, of course, the half-diffident and half-confident matrimonial plea of Archie, Marry Me and that pearly guitar lick. Ten years ago or ten years from now, here are ten songs to slip in your pocket and pull out when the decisions of the world seem to swirl like the very guitars that shape them.