Hernan Cattaneo (Renaissance): massive sasha remixes
Danny Howells (Dig Deeper): So solid! Loving the Sasha mixes, absolutely awesome.
Dave Seaman (Selador Recordings): Sasha on good form
Kevin Di Serna (Balance, Lost & Found, Pureink): in total love with this release
Alexis Taylor is one of the UKs most distinctive singer-songwriters - both individually, and as part of pop giants Hot Chip. Paris In The Spring proved Taylors most revealing album yet, peeling back the layers of his psyche to reveal sentiments both specific and universal. The subject matter doesnt shy away from hard-hitting themes but musically, its carefree, brightly lit and contemporary, drawing on leftfield pop, country, elegant disco-house and Vangelis-inspired soundscapes.

Marea (Blessed Madonna) and Pat Alvarez and I got together in a small underground studio and put together the embryonic version of this song in a moment of first (musical) connections, quite quickly. Marea told me she never let her own voice be on records usually, but Pat and I encouraged her to include her singing. Its beautiful.

Even touching time isnt time enough is her own hypnotic riddle and is a fascinating hook I think.

The lyrics and melodies beyond that came from me - a song I was writing about someone losing their mother. Imagined scenarios dealing with death and loss and a life being remembered and honoured. You know, cheery stuff for a house banger.

Pat and I worked on the music on further sessions with his Solid Wall partner Lucas, and I enjoyed trying to give the guitar an underwater feel; Neil Youngs Will To Love was being channelled for that element, and the Beach Boys Til I Die also with the added (Mellotron) vibraphone parts.

I think the song is an unusual and emotive mix of powerful epic ballad with house- leaning dancefloor track. Who knows how to dance to such a thing? - Alexis Taylor